subverts

英 [səbˈvɜːts]

美 [səbˈvɜːrts]

v.  颠覆; 暗中破坏; 使背叛; 使变节; 策反
subvert的第三人称单数

柯林斯词典

• VERB 颠覆;破坏
  Tosubvertsomething means to destroy its power and influence.
  1. ...an alleged plot to subvert the state.
     涉嫌颠覆国家的阴谋
  2. ...a last attempt to subvert culture from within.
     试图从内部瓦解文化的最后一击

双语例句

• In this way, Lessing subverts the binary opposition between rationality and insanity.
  自此，莱辛颠覆了理智与疯狂的二元对立关系。
• Zhang Ailing subverts the traditional mothers 'image by her objective understanding and experience of life, she clears up the greatness that mothers create the life, and destroys mercilessly the expectation which children regard their mothers as their spiritual homes;
  张爱玲以她对生活的客观认识和体验，对传统的母亲形象予以颠覆，她消解了母亲创造生命的伟大性，并对母亲作为儿女的精神家园的期待给予无情摧毁；
• M.Butterfly subverts the traditional opposition of West and East that continues to structure the Western gaze.
  《蝴蝶君》是对东西方话语权力关系的一次颠覆。
• Feminist theory subverts the patriarchal ideology by way of deconstruction, while at the same time endeavors to construct a unique female discourse and culture.
  女性主义理论用解构的方式颠覆文化中的父权意识，同时在解构理论的基础上建构独特的女性话语和女性文化。
• Media can be designed to be creative, it subverts our usual design and communication, media and advertising fragmentation of knowledge, to establish a broader Ye it more complete, there was contact and the creation of the concept of advertising among.
  媒体可以被设计，可以被创意，这颠覆了我们一贯对设计和传播、媒体和广告割裂的认识，它建立起一种更广泛也更完整的，存在于联系和创造之中的广告设计观念。
• While modernity is characterized by meta-narrative, post-modernity subverts meta-narrative.
  “现代性”以“元叙事”为其特征，后现代性是对元叙事的颠覆。
• The ability of the protagonists to subvert the society also subverts the monolithic power typical of a dystopia.
  主角的能力不仅能推翻这个社会，更能推翻一个典型反乌托邦拥有牢不可破的力量。
• In this sense, he is but an anti-hero who subverts capitalist society within the limits set by Vonnegut.
  从这个意义上讲，毕利只是一个在冯内古特允许的范围内进行社会颠覆的反英雄人物。
• Secondly Bandrillard explored the symbolic exchange, which subverts the reality principle;
  中期探究符号性的象征交换，以此颠覆现实原则；
• In these three books, Woolf's deep insight subverts the traditional idea of normal and abnormal, male and female, active and passive, sacred and profane.
  在这三部作品中，伍尔夫通过入木三分的刻画及分析，颠覆了传统的正常与不正常、男性与女性、主动与被动、神圣与世俗等概念。